I found this recent post by David Dower interesting and problematic for a couple of reasons. I don’t know David well, though we’ve got lunch in the past and are co-workers in the movie theater. I am happy he found a new post at Arena Stage in DC that he seems compelled by, and I am glad he’s blogging. While I’m at it, I’ll dissent on some other engagement.
I’ve stayed out of the slug-fest this is the Olson-Daisey chain. I’m not going to link it, that’s how much I’m keeping out of it. Why? The whole conversation is stuck before and seems to burn up important energy for actually moving forward. Everyone is absolve to employ or not necessarily, but it must be said that this is part of how the position quo is taken care of.
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While I’ve already commented here publicly on how that conversation may not have been the most polite, it was at least an honest and full-throated collision between the viewpoints of theatre experts, and between administrators and artists. If it feels “stuck in the past”, that says something truthful about where the world happens to be …